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Gerry Hammond

Dr. Geraldine Hammond was one of the English teachers at the University of Wichita that the group connected with. Most of us took one or another of the classes that she taught, but we all felt free to take up literary and philosophical issues with her and to give her our work to critique. We did not know until we started publishing The Literary Review that she also wrote poetry. Many years later, I came across a copy of a book that she had put out on mimeograph in 1951 – during the time we were at WU. The book, blinded by the stars, was a limited edition of fifty copies. The following poems are a selection from this volume.


to whatever you

you and I are locked in our
significant wish to be friends
I can deny Christ, but not you
for I am created in your image
and only by a turning back
can I deny it
whatever word you say
and do not say
I recognize —
it is my silence
and my song
unless you take my hand
we will not travel

stranger

what do you love that you have lost
and the white wind whispering
in the corners?
I could love you better if I knew
even the nameless rattling
in the gold clean grain
one of us must know
to pull the wall in
trample on the small black nibblings

time is the place

time is the place where history
divides itself to multiplicity
roaring prophecy of war and death
and little daily sinnings
it is a trick of splitting up the past
to shine at us like many mirrors
we must imitate and hide behind
do not listen        do not look
for when these echoes shall not rattle
in the chambered caves
silence like a sword will pierce
the multi-hearted darkness
and we hear
not ancient song but one voice only
out of the simple Now

sea-memory

these are the tall white ladies
who weave grasses in the hair
and sing quick bird-notes
with their finger-tips
these are the shells that mark the edge
of wave-reach
here
and then to only here
hand beneath the back lifts breast
the nourisher that sea-weed
sways beneath where life was born
under the bend of love
the late-come
seeing now the skies
forgets the cold sweet deep
of generation

possessed

the green sea rises
glittering at the eyes
and beats in the city-brain
on shores of pavement where
I walk in footprints
that the sand received of you
(what is Existence now the bird
has flung his shadow from the sky
in double flight
of being and projecting?)
the wet rock gleams and disappears
my hand is at the door
a long wave cracks
exploding spray
to sun-sparks suddenly while
fog hangs soft on tree-points
in the harbor’s curving arm
tender tender for the weeping time and
pebbles
bright with their return
run eagerly beneath the wave

overnight coach

it is a strange world
moving
I cannot hear what you say
splitting as we are the very dark
morning follows in our wake
speak louder
the westward tracks lead
and we follow
cutting miles from numbers
gaining no victory
for what we leave
is here

speak louder
that I may forget
for now

© Geraldine Hammond

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  • Artists
    • Fantastic Fifties Part 1
    • Fantastic Fifties Part 2
    • The Magic Locals
  • Days of Wrath
  • Allen Ginsberg
  • Publications
    • 1952 – Provincial Review
      • Contributors
      • Blue Monday by Don Duncan
      • Bruce Conner – Three Poems
      • Dave Haselwood
      • David Wright
      • Jim Lyle
      • Lee Streiff
      • Loren Frickel
      • Mike McClure
      • Robert Seyendal
    • 1954 The Sunflower Literary Review
    • 1958 Mikrokosmos
    • 1958 The Worlds We Made
    • 1959 The Poets Corner # 2
    • 1960 The Locked Man
    • 1961 The Ten Days of My Dream
  • Memories
    • Jim Lyle: “The Basement Apartment” and Other Pieces
    • Lee Streiff – New Year’s Eve 1954
    • Patricia (Riveron) Lee: “Enrique Riveron”
  • Party scenes
  • Beat Scene at WSU
  • Wichita Vortex poetry and prose
    • Celeste Hammond
    • Ann Arnold
    • Charles Plymell
    • Dave Haselwood
    • David Wright
    • Gerry Hammond
    • Glenn Todd
    • Irma Wassell
    • Jane Curry
    • Joan Pepitone
    • Lee Streiff
  • The Martian Empire
  • The Indian Legend
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